Peter Pickering - Words and Worlds Interwoven

Cosmic Traveller, Elian, Views the Earthly Realm - Peter Pickering's views of life
Cosmic Traveller, Elian, Views the Earthly Realm - Peter Pickering's views of life

In the hush of the cosmos, where stars whispered secrets to the void and galaxies spun like intricate webs of light, there existed a singular, fragile world—an orb cloaked in swirling clouds of white and hues of blue. This planet, Earth, teemed with life in every corner, from the depths of its oceans to the reaches of its towering mountains. Amid this vibrancy, where nature’s rhythm thrummed through all things, there lived a soul named Elian—a wanderer on a journey to make sense of the intricate patterns that surrounded them, a being woven from the delicate threads of difference.

The Wanderer of Sidereal Shores

From Elian’s earliest memories, there was a profound sense of being out of step with the world. It was not a dramatic dissonance but more of a quiet, persistent feeling, like an almost forgotten dream lingering just out of reach. The world moved in a particular way, like a well-rehearsed symphony, yet Elian could only hear faint echoes of the melody, often struggling to catch up with the tempo. The customs, rhythms, and rituals that others followed so effortlessly felt like an intricate dance where the steps never quite made sense. Conversations buzzed around Elian like the drone of distant insects—familiar but not entirely comprehensible. It wasn’t a matter of intelligence, but rather a matter of perspective, like standing in the same room as others but viewing the world through a different lens.

As a child, Elian often found solace in the quiet moments when the world slowed down. In the afternoons when the sun dipped low in the sky and cast long shadows across the garden, Elian would sit quietly, observing the way light filtered through the leaves, creating patterns that seemed to tell stories. These moments were the most peaceful, the most coherent. They were when the noise of human interaction faded and the quiet hum of existence felt like a language Elian could understand. The rustling of leaves, the chirping of birds, even the way the wind bent the blades of grass seemed to speak in a way that made sense. It was a language without words, but one that resonated deeply within.

School, that institution designed to mould minds and shape futures, became a source of growing frustration for Elian. The classrooms, filled with rows of desks and chairs, felt more like a theatre where a grand performance of normalcy was being staged. Students came, played their parts, followed their cues, and yet, Elian remained an outsider to this performance, as though attending a play in a language they barely understood. The lessons were straightforward, the instructions clear, but the undercurrent—the subtle, unwritten rules that governed behaviour—were elusive. Social interactions, in particular, felt like an intricate web of unspoken codes. While others seemed to move through them with ease, Elian struggled to decipher the patterns, sometimes imitating them but never fully grasping their essence.

There were attempts, of course, to fit in. Elian watched carefully, observed the nuances of conversation, the way people responded to certain words or gestures, and tried to mimic them. It worked, to some extent. On the surface, Elian appeared to belong, but inside, there was a constant feeling of being out of place, of participating in a world where the rules were opaque and ever-changing. It wasn’t loneliness, exactly, but a sense of isolation, of standing at the edge of something vast and impenetrable.

Despite this, Elian found refuge in the world of stories. Books became companions, offering windows into lives and experiences that were far removed from the mundane interactions of everyday life. It was in Robert Heinlein’s Stranger in a Strange Land that Elian first felt truly seen. Valentine Michael Smith, the Man from Mars, was not just a character in a book but a reflection of Elian’s own internal odyssey. Smith’s alienation, his struggle to understand human behaviour, mirrored Elian’s own experiences. For the first time, there was a sense of kinship, a recognition that there were others—fictional or otherwise—who moved through life with the same sense of displacement. This revelation was profound, offering not just comfort but also a sense of validation. It was okay to feel different, because there were others who had walked similar paths, even if only in the pages of a book.

As Elian grew older, the world became no easier to navigate. The expectations of adulthood—careers, relationships, societal roles—were laden with the same unspoken rules that had always been so difficult to grasp. The world, it seemed, valued a particular kind of conformity, a fitting of oneself into preordained shapes. But Elian, with a mind that saw things from an entirely different angle, struggled to find a place within these confines. It wasn’t that Elian lacked the ability to succeed or to connect with others, but rather that the conventional paths never felt quite right. The roles that society laid out felt like costumes, ill-fitting and uncomfortable, constraining the very essence of who Elian was.

The turning point came when Elian began to understand that the dissonance, the sense of being out of step, was not a flaw, but a unique way of seeing the world. There was power in this realisation—a sense of liberation that came from embracing difference rather than trying to suppress it. Elian began to carve out a space within the world, a space where creativity could flourish, where passions could be pursued without the constant pressure to conform. Art, music, and writing became not just hobbies but lifelines, ways of communicating the depths of experience that words often failed to capture. In these mediums, Elian found a language that made sense, a way to express the nuances and complexities of existence that often went unspoken.

Elian’s artwork was not traditional. It did not follow the trends or styles that were popular at the time. Instead, it was a reflection of the way Elian saw the world—vivid, intricate, and deeply textured. Colours clashed and blended in ways that seemed chaotic to some, but to Elian, they were harmonious, each stroke of the brush a representation of the emotions that swirled beneath the surface. Music, too, became a way to connect with the world. The notes and rhythms, the way they flowed and collided, resonated with Elian’s internal landscape. In music, there were no rules, no expectations, just pure expression. It was a form of communication that transcended words, reaching into the core of human experience and laying it bare.

Writing, however, became Elian’s true passion. The written word, with its ability to convey thoughts, emotions, and ideas, offered a way to bridge the gap between Elian’s internal world and the external one. Through writing, Elian could explore the complexities of existence, the beauty of difference, and the intricate dance of human connection. Stories flowed from Elian’s mind like water from a spring, each one a reflection of the unique way in which the world was perceived. These stories were not always understood by others, but that didn’t matter. What mattered was the act of creation, the process of translating the internal into the external, of giving form to the nebulous thoughts and feelings that had always been difficult to articulate.

As Elian navigated adulthood, there were challenges, of course. The world was not always kind to those who walked a different path, and there were moments of frustration, of feeling misunderstood or dismissed. But over time, Elian found allies—people who saw the world not in black and white but in a spectrum of colours, each shade representing a different way of being. These allies were not always easy to find, but when they appeared, they became beacons of light in the sometimes overwhelming darkness. They were fellow travellers, kindred spirits who understood that the world was vast and varied, and that there was no one right way to move through it.

One of these allies was a professor who taught Elian during a brief stint in higher education. Unlike most of the teachers Elian had encountered, this professor did not see difference as something to be corrected but as something to be celebrated. He encouraged Elian to explore ideas, to question assumptions, and to push the boundaries of conventional thought. Under his guidance, Elian flourished, delving into philosophy, literature, and art with a fervour that had previously been reserved for solitary pursuits. The professor became not just a mentor but a friend, someone who saw Elian for who they truly were and valued their perspective. It was a turning point, a moment of validation that gave Elian the confidence to continue forging their own path.

But the journey was far from over. Elian was still learning, still growing, still discovering new facets of the world and of themselves. There was no final destination, no point at which everything would suddenly make sense. Instead, there was a continuous process of evolution, of becoming. And in that process, Elian found peace. There was no need to fit into the moulds that society had laid out, no need to conform to expectations that felt foreign and constraining. Elian could exist as they were—unique, different, and valuable.

In time, Elian came to see the world not as a hostile place but as a garden, rich with the beauty of variance. Each person, each soul, had their own way of being, their own corner of the garden in which to bloom. There was no hierarchy, no one way to live, just a vast and intricate tapestry of lives, each one adding to the richness of existence. Elian’s own journey, once fraught with confusion and frustration, became a testament to the resilience of the human spirit, a celebration of the beauty of difference. It was not a story of survival but one of thriving, of learning to embrace the journey and find meaning in the spaces between.

As the years passed, Elian continued to walk the path they had carved, but they were no longer alone. Others walked beside them—fellow voyagers on the road of life, each with their own story to tell. And though the journey was long, it was filled with moments of joy, of connection, of understanding. Elian’s story became a beacon for those who would come after, a reminder that difference was not something to be feared but something to be embraced. The world, with all its complexities and contradictions, was a place where every soul had its place, where every perspective had its value.

And so, under the same stars that had once seemed so distant, Elian stood—a voyager of the vast and vibrant spectrum of life, a testament to the triumph of difference. In the end, the journey was not about finding answers but about embracing the questions, about living fully and authentically, and about finding beauty in the myriad ways that life could be experienced. The stars still whispered their secrets, but now Elian understood that those secrets were not meant to be solved—they were meant to be lived.

© Peter Pickering 2023. www.peterpickering.com